{"id":113,"date":"2008-05-05T12:26:44","date_gmt":"2008-05-05T12:26:44","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/61-ma-methode-concernant-l-ajout-de-percussions-orchestrales-dans-une-musique-de-film-d-action\/"},"modified":"2008-05-05T12:26:44","modified_gmt":"2008-05-05T12:26:44","slug":"61-ma-methode-concernant-l-ajout-de-percussions-orchestrales-dans-une-musique-de-film-d-action","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/61-ma-methode-concernant-l-ajout-de-percussions-orchestrales-dans-une-musique-de-film-d-action\/","title":{"rendered":"Ma m\u00e9thode concernant l&rsquo;ajout de percussions orchestrales dans une musique de film d&rsquo;action."},"content":{"rendered":"<p>\nBon, dans le titre j&rsquo;ai \u00e9cris \u00ab\u00a0ma m\u00e9thode\u00a0\u00bb mais \u00e0 mon avis, \u00e7a n&rsquo;a rien d&rsquo;exceptionnel. Je pense que beaucoup de compositeurs travaillent de la m\u00eame mani\u00e8re. Je d\u00e9cris ici le type de <a href=\"http:\/\/www.afpercu.com\/index.php\" target=\"_blank\" rel=\"noopener nofollow\">percussion<\/a> que j&rsquo;utilise et \u00e0 quel moment de la phase de cr\u00e9ation je les place dans le mix.<\/p>\n<p>En fait, comme <a href=\"https:\/\/www.compositeur-arrangeur.com\/blog\/4-l-orchestrateur-un-metier-lie-a-la-musique-de-film\">l&rsquo;orchestration des autres pupitres<\/a>, les percussions (cymbale, timbales etc&#8230;) sont ins\u00e9r\u00e9es au fur et \u00e0 mesure que les id\u00e9es me viennent. Ce qui est s\u00fbr, c&rsquo;est que je n&rsquo;ai jamais commenc\u00e9 par poser une ligne de percussion me servant d&rsquo;\u00e9l\u00e9ment de base pour composer le reste. Ordinairement, je place les premi\u00e8res percussions quand j&rsquo;ai d\u00e9j\u00e0 une premi\u00e8re forme m\u00e9lodique, grossi\u00e8rement orchestr\u00e9e. <\/p>\n<p>Je commence souvent par les <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Timbales_%28musique_classique%29\" target=\"_blank\" rel=\"noopener nofollow\">timbales<\/a>, car elles produisent des notes (je peux tester rapidement si \u00e7a passe ou pas avec les autres instruments). De temps en temps, il m&rsquo;arrive de faire des doublures :<\/p>\n<ul>\n<li><strong>Doublures entre percussions<\/strong> :<br \/>\n &#8211; Timbales + caisse claire<br \/>\n &#8211; Timbales + grosse caisse<\/li>\n<p><\/p>\n<li><strong>Doublures avec d&rsquo;autres familles d&rsquo;instruments<\/strong> :\n<p> &#8211; Timbales + pizzicati de contrebasse<br \/>\n &#8211; Xylo + piccolo + Violons aigus<br \/>\n &#8211; Staccatos de cordes + caisse-claire<br \/>\n &#8211; Glockenspiel + fl\u00fbte et\/ou pizzicati de violons\n<\/li>\n<\/ul>\n<p>\nCi-dessous, un exemple chronologique d&rsquo;insertion de <a href=\"http:\/\/www.scena.org\/lsm\/sm9-3\/histoire-fr.htm\" target=\"_blank\" rel=\"noopener nofollow\">percussions orchestrales<\/a> (+ les percus \u00e9lectro du <a href=\"https:\/\/www.compositeur-arrangeur.com\/blog\/60-travailler-sur-les-boucles-de-percussions-pour-les-integrer-au-mix-orchestral\" target=\"_blank\" rel=\"noopener\"><ins>billet pr\u00e9c\u00e9dent<\/ins><\/a>).<br \/>\nIl s&rsquo;agit toujours d&rsquo;un extrait de <a href=\"https:\/\/www.compositeur-arrangeur.com\/blog\/10-musique-hollywoodienne-pour-le-film-vendome-paris-de-david-tomaszewski\"><ins>VENDOME<\/ins><\/a> (en fait, je n&rsquo;ai pas compos\u00e9 de musique hollywoodienne depuis). C&rsquo;est promis, apr\u00e8s ce billet, je ne ne vous harc\u00e8le plus avec notre <a href=\"http:\/\/www.myspace.com\/vendome_paris\" target=\"_blank\" rel=\"noopener nofollow\">super h\u00e9ros national<\/a> \u00e0 collants moulants.<\/p>\n<p><a href=\"https:\/\/www.compositeur-arrangeur.com\/blog\/tag\/film-avec-un-super-heros\"><\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/gargouille.jpg\" alt=\"gargouille vendome\" \/><\/a><br \/>Attention gargouille m\u00e9chante !<br \/>\n<em>(personnage cr\u00e9\u00e9 par D. tomaszewski)<\/em><\/p>\n<\/div>\n<p><strong>Fighting a gargoyle  :<\/strong><\/p>\n<ol>\n<li>Tapis orchestral de base :\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-113-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu1.mp3?_=1\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu1.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu1.mp3<\/a><\/audio><br \/>\n\n<\/li>\n<p><\/p>\n<li>Timbales + caisse-claire + sounds FX (snap, boum )\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-113-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu2.mp3?_=2\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu2.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu2.mp3<\/a><\/audio><br \/>\n\n<\/li>\n<p><\/p>\n<li>Percus \u00e9lectro (cf billet pr\u00e9c\u00e9dent)\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-113-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu3.mp3?_=3\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu3.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu3.mp3<\/a><\/audio><br \/>\n\n<\/li>\n<p><\/p>\n<li>Cymbales + hi-hat + gong\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-113-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu4.mp3?_=4\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu4.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu4.mp3<\/a><\/audio><br \/>\n\n<\/li>\n<p><\/p>\n<li>Orchestration finale (ajout de cuivres et de ch\u0153urs et encore qq FX)\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-113-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu5.mp3?_=5\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu5.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/percu5.mp3<\/a><\/audio><br \/>\n\n<\/li>\n<\/ol>\n<p>Note : Vendome poss\u00e8de son propre <a href=\"http:\/\/www.myspace.com\/vendome_paris\" target=\"_blank\" rel=\"noopener nofollow\"><ins>myspace<\/ins><\/a>. Actuellement, c&rsquo;est une musique de David Arnold (Casino Royal) qui habille musicalement la page. Une musique parfaitement bien r\u00e9alis\u00e9e en terme d&rsquo;\u00e9lectro orchestral.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bon, dans le titre j&rsquo;ai \u00e9cris \u00ab\u00a0ma m\u00e9thode\u00a0\u00bb mais \u00e0 mon avis, \u00e7a n&rsquo;a rien d&rsquo;exceptionnel. Je pense que beaucoup de compositeurs travaillent de la m\u00eame mani\u00e8re. Je d\u00e9cris ici le type de percussion que j&rsquo;utilise et \u00e0 quel moment de la phase de cr\u00e9ation je les place dans le mix. En fait, comme l&rsquo;orchestration [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":114,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/113","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=113"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/113\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/114"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=113"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=113"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=113"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}