{"id":126,"date":"2008-05-06T15:49:33","date_gmt":"2008-05-06T15:49:33","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/68-quelques-exemples-de-repetition-dans-la-musique-de-film\/"},"modified":"2008-05-06T15:49:33","modified_gmt":"2008-05-06T15:49:33","slug":"68-quelques-exemples-de-repetition-dans-la-musique-de-film","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/68-quelques-exemples-de-repetition-dans-la-musique-de-film\/","title":{"rendered":"Quelques exemples de r\u00e9p\u00e9tition dans la musique de film."},"content":{"rendered":"

\nJe crois que c’est mon paternel qui m’a dit un jour :\u00a0\u00bbFiston, dans une musique les gens retiennent surtout l’intro, la fin et les r\u00e9p\u00e9titions\u00a0\u00bb<\/p>\n

La r\u00e9p\u00e9tition d’une phrase m\u00e9lodique ou d’un rythme se fait de mani\u00e8re naturelle et spontan\u00e9e dans le domaine de la chanson, mais je pense qu’elle est aussi largement employ\u00e9e dans la musique de film, de mani\u00e8re plus subtile (plus cach\u00e9e, je dirais).<\/p>\n

Il arrive que les compositeurs dupliquent un petit passage de sorte qu’on puisse l’entendre 2 fois de suite. \u00e7a ne fait pas de mal \u00e0 la structure du morceau et \u00e7a permet \u00e0 l’auditeur de s’impr\u00e9gner du th\u00e8me. En parcourant diverses BO, je m’aper\u00e7ois que peu de passages sont r\u00e9ellement \u00ab\u00a0clon\u00e9s\u00a0\u00bb. A chaque fois, la r\u00e9p\u00e9tition pr\u00e9sente une petite variation, ce qui apporte un peu plus de richesse \u00e0 l’ensemble. Voici quelques astuces \u00e0 appliquer sur la partie r\u00e9p\u00e9t\u00e9e, afin d’\u00e9viter la redondance :<\/p>\n

    \n
  1. Ajouter des notes accidentelles :<\/strong>
    \nThe Grinch (James Horner)\n<\/li>\n
  2. Modifier l\u00e9g\u00e8rement la m\u00e9lodie :<\/strong>
    \nL’\u00e9t\u00e9 de Kikujiro (Joe Hisaishi)<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/ete.mp3<\/a><\/audio>\n
  3. Reprendre la m\u00e9lodie par un autre instrument :<\/strong>
    \nDinosaur (James Newton Howard)\n<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/dinosaur.mp3<\/a><\/audio>\n
  4. Enrichir l’orchestration <\/strong>(doublures) :
    \nInterview With The Vampire (Elliot Goldenthal)\n<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/vampire.mp3<\/a><\/audio>\n
  5. Varier la hauteur <\/strong>(changement d’octave) :
    \nTh\u00e8me de Solenn (Tanguy Follio)\n<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/solenn.mp3<\/a><\/audio>\n
  6. Passer de mode majeur \u00e0 mode mineur :<\/strong>
    \nSigns (James Newton Howard)\n<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/signs.mp3<\/a><\/audio>\n
  7. Changer de nuance :<\/strong>
    \nLa rue des cascades (Yann Tiersen)\n<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/tiersen.mp3<\/a><\/audio>\n
  8. Varier l’harmonie <\/strong> (ce sont les accords qui changent) :
    \nThe Nightmare Before Christmas (Danny Elfman)\n<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/jack.mp3<\/a><\/audio>\n
  9. Varier le rythme :<\/strong>
    \nVictor Hugo (Tanguy Follio)\n<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/hugo.mp3<\/a><\/audio>\n
  10. Changer la tonalit\u00e9 :<\/strong>
    \nThe Polar Express (Alan Silvestri)\n<\/li>\n    https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/polar.mp3<\/a><\/audio>\n

    Alan Silvestri, champion du monde de la r\u00e9p\u00e9tition par changement de tonalit\u00e9
    \n par intervalle de 3 demis-tons vers le bas ou vers le haut \ud83d\ude09\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    Je crois que c’est mon paternel qui m’a dit un jour :\u00a0\u00bbFiston, dans une musique les gens retiennent surtout l’intro, la fin et les r\u00e9p\u00e9titions\u00a0\u00bb La r\u00e9p\u00e9tition d’une phrase m\u00e9lodique ou d’un rythme se fait de mani\u00e8re naturelle et spontan\u00e9e dans le domaine de la chanson, mais je pense qu’elle est aussi largement employ\u00e9e dans […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-126","post","type-post","status-publish","format-standard","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=126"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/126\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}