{"id":184,"date":"2008-10-29T15:42:17","date_gmt":"2008-10-29T15:42:17","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/98-exemple-de-plans-sonores-dans-une-orchestration-extait-d-une-bande-originale-de-jerry-goldsmith\/"},"modified":"2008-10-29T15:42:17","modified_gmt":"2008-10-29T15:42:17","slug":"98-exemple-de-plans-sonores-dans-une-orchestration-extait-d-une-bande-originale-de-jerry-goldsmith","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/98-exemple-de-plans-sonores-dans-une-orchestration-extait-d-une-bande-originale-de-jerry-goldsmith\/","title":{"rendered":"Exemple de plans sonores et ph\u00e9nom\u00e8ne de r\u00e9sonnance dans une orchestration. Extait d’une bande originale de Jerry Goldsmith"},"content":{"rendered":"

\nDans ce petit extrait, on distingue tr\u00e8s nettement 3 plans d’orchestration :<\/p>\n

Hollow Man (Jerry Goldsmith<\/a>) :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/hollowman.mp3<\/a><\/audio>\n

Nous avons d’une part une m\u00e9lodie stridente<\/strong> jou\u00e9e par des instruments aigus (violons, fl\u00fbtes) et d’autre part des ponctuations agressives<\/strong> en saccades jou\u00e9es par des cuivres et des percussions (trombones, grosse caisse, timbales).<\/p>\n

Le volume sonore de ces 2 parties sont \u00e0 peu pr\u00e8s identiques. On ne peut pas vraiment dire lequel est en avant et lequel est en arri\u00e8re plan. Je crois que c’est notre humeur du moment qui fait qu’on va plut\u00f4t remarquer tel ou tel plan sonore en premier. Et puis, \u00e7a peut changer en cours d’\u00e9coute.<\/p>\n

Par contre :<\/strong>
\nEntre ces 2 plans extr\u00eames (du point de vue des couleurs orchestrales<\/ins><\/a>), s’est gliss\u00e9 un troisi\u00e8me plan sonore, plus discret mais au combien utile : un petit leitmotiv r\u00e9current<\/strong> jou\u00e9 par des cordes dans les m\u00e9diums-aigus, \u00e0 la mani\u00e8re d’un \u00e9cho. Ce tapis rythmique a son importance car, d’une part il va apporter du \u00ab\u00a0mouvement\u00a0\u00bb, et d’autre part il va lier l’ensemble pour le rendre moins sec (un peu comme le lait qu’on ajoute \u00e0 la farine et les \u0153ufs pour faire des cr\u00eapes). Cet aspect technique tr\u00e8s souvent utilis\u00e9 en orchestration s’appelle la r\u00e9sonance<\/a>…<\/p>\n

<\/p>\n

\n<\/p>\n\n\n\n
\"Hollow<\/td>\n<\/td>\n\"Jerry<\/td>\n<\/tr>\n
Hollow Man<\/span><\/td>\n<\/td>\nJerry Goldsmith
\n <\/span>(1929-2004)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Dans ce petit extrait, on distingue tr\u00e8s nettement 3 plans d’orchestration : Hollow Man (Jerry Goldsmith) : https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/hollowman.mp3 Nous avons d’une part une m\u00e9lodie stridente jou\u00e9e par des instruments aigus (violons, fl\u00fbtes) et d’autre part des ponctuations agressives en saccades jou\u00e9es par des cuivres et des percussions (trombones, grosse caisse, timbales). Le volume sonore de […]<\/p>\n","protected":false},"author":2,"featured_media":185,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-184","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/184","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=184"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/184\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/185"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=184"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=184"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=184"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}