{"id":207,"date":"2008-09-10T22:18:49","date_gmt":"2008-09-10T22:18:49","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/110-faire-monter-la-tension-long-crescendo-orchestral-suivi-d-un-relachement-brutal\/"},"modified":"2008-09-10T22:18:49","modified_gmt":"2008-09-10T22:18:49","slug":"110-faire-monter-la-tension-long-crescendo-orchestral-suivi-d-un-relachement-brutal","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/110-faire-monter-la-tension-long-crescendo-orchestral-suivi-d-un-relachement-brutal\/","title":{"rendered":"Faire monter la tension : long crescendo orchestral suivi d&rsquo;un rel\u00e2chement brutal"},"content":{"rendered":"<p>\nIl n&rsquo;est pas rare dans les films d&rsquo;action ou d&rsquo;horreur que le r\u00e9alisateur laisse la tension s&rsquo;installer progressivement, sur plusieurs minutes. Le spectateur prend conscience que quelque chose va arriver (mais il ne sait pas quand exactement). Puis arrive brusquement le moment crucial, un fait marquant, une sc\u00e8ne forte sur le plan \u00e9motionnel etc&#8230;). <\/p>\n<p>Dans ces sc\u00e8nes pr\u00e9cises, <a href=\"http:\/\/www.dicodunet.com\/definitions\/culture\/bof.htm\" target=\"_blank\" rel=\"noopener nofollow\">la musique suit g\u00e9n\u00e9ralement l&rsquo;intrigue<\/a>. Pas toujours, certes, car il arrive qu&rsquo;elle soit en d\u00e9calage avec les images, mais souvent, la bande musicale qui accompagne ce long instant de tension prend l&rsquo;allure d&rsquo;un crescendo.<\/p>\n<ul>\n<li>Crescendo dans l&rsquo;<a href=\"http:\/\/membres.lycos.fr\/papidoc\/06souietablintenson.html\" target=\"_blank\" rel=\"noopener nofollow\">intensit\u00e9 sonore<\/a> (p -> ff)<\/li>\n<li>Crescendo dans l&rsquo;<a href=\"http:\/\/membres.lycos.fr\/papidoc\/06souietablintenson.html\" target=\"_blank\" rel=\"noopener nofollow\">harmonie<\/a> (augmentation progressive du nombre de voix)<\/li>\n<li>Crescendo dans l&rsquo;<a href=\"https:\/\/www.compositeur-arrangeur.com\/blog\/tag\/quels-sont-les-meilleurs-traite-d-orchestration\">orchestration <\/a> (augmentation progressive des instruments intervenants)<\/li>\n<li>Crescendo dans le <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Tempo\" target=\"_blank\" rel=\"noopener nofollow\">tempo<\/a> (la musique peut s&rsquo;acc\u00e9l\u00e9rer)<\/li>\n<\/ul>\n<p>\nSuivi parfois d&rsquo;un rel\u00e2chement brutal  :<\/p>\n<ul>\n<li>Retour rapide \u00e0 un faible volume sonore<\/li>\n<li>Retour rapide \u00e0 une harmonie simple<\/li>\n<li>Retour rapide \u00e0 une orchestration plus sobre<\/li>\n<li>Tempo ralenti<\/li>\n<\/ul>\n<p>Un type de rel\u00e2chement qui me pla\u00eet particuli\u00e8rement, c&rsquo;est quand la coupure n&rsquo;est pas nette et que l&rsquo;on a l&rsquo;impression que la masse orchestrale d\u00e9gringole brutalement, ce qui donne un effet de \u00ab\u00a0d\u00e9chirement\u00a0\u00bb :<\/p>\n<p>Ci-dessous, 2 exemples sonores de crescendo avec effet de d\u00e9chirement. Le premier est un court crescendo en pose de son, avec une petit d\u00e9chirement aux percus. Le second (plus palpitant) est un long crescendo musical interrompu par un d\u00e9chirement cuivr\u00e9. Il correspond \u00e0 la <a href=\"http:\/\/www.arcanes.org\/fiches_156-_x-men.html\" target=\"_blank\" rel=\"noopener nofollow\">sc\u00e8ne d&rsquo;ouverture de X-MEN<\/a> devant le camp de concentration (la douleur de <a href=\"http:\/\/www.ecranlarge.com\/movie_review-read-1761-7349.php\" target=\"_blank\" rel=\"noopener nofollow\">Magneto<\/a> enfant, que l&rsquo;on arrache aux bras de ses parents est ici tr\u00e8s bien illustr\u00e9e).<\/p>\n<p><strong>Sixi\u00e8me Sens<\/strong> (<a href=\"http:\/\/www.cinezik.org\/compositeurs\/index.php?compo=howard-jn\" target=\"_blank\" rel=\"noopener nofollow\">James Newton Howard<\/a>)<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-207-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/sixieme_sens.mp3?_=1\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/sixieme_sens.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/sixieme_sens.mp3<\/a><\/audio>\n<p><strong>X-MEN<\/strong> (<a href=\"http:\/\/www.cinezik.org\/compositeurs\/index.php?compo=kamen\" target=\"_blank\" rel=\"noopener nofollow\">Micha\u00ebl K-MEN<\/a>) <\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-207-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/xmen1.mp3?_=2\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/xmen1.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/xmen1.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>Il n&rsquo;est pas rare dans les films d&rsquo;action ou d&rsquo;horreur que le r\u00e9alisateur laisse la tension s&rsquo;installer progressivement, sur plusieurs minutes. Le spectateur prend conscience que quelque chose va arriver (mais il ne sait pas quand exactement). Puis arrive brusquement le moment crucial, un fait marquant, une sc\u00e8ne forte sur le plan \u00e9motionnel etc&#8230;). Dans [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-207","post","type-post","status-publish","format-standard","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=207"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/207\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=207"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=207"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}