{"id":212,"date":"2008-09-26T00:03:34","date_gmt":"2008-09-26T00:03:34","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/114-omnisphere-de-spectrasonics-du-tres-gros-son-pour-creer-vos-ambiances\/"},"modified":"2008-09-26T00:03:34","modified_gmt":"2008-09-26T00:03:34","slug":"114-omnisphere-de-spectrasonics-du-tres-gros-son-pour-creer-vos-ambiances","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/114-omnisphere-de-spectrasonics-du-tres-gros-son-pour-creer-vos-ambiances\/","title":{"rendered":"Omnisphere de Spectrasonics : du tr\u00e8s gros son pour cr\u00e9er vos ambiances."},"content":{"rendered":"<p>\n<a href=\"http:\/\/www.spectrasonics.net\/instruments\/omnisphere.html\" target=\"_blank\" rel=\"nofollow noopener\">OMNISPHERE<\/a> succ\u00e8de au c\u00e9l\u00e8bre synth\u00e9tiseur virtuel <a href=\"http:\/\/www.spectrasonics.net\/instruments\/atmosphere.html\" target=\"_blank\" rel=\"nofollow noopener\">ATMOSPHERE<\/a>. <\/p>\n<p>Progr\u00e8s technologiques obligent, il est encore plus consistant (40 Go de sons) et surtout beaucoup plus riche en terme de travail sur la synth\u00e8se (modulations, filtres, architectures, synth\u00e8se granulaire, les enveloppes al\u00e9atoires etc) : <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Virtual_Studio_Technology\" target=\"_blank\" rel=\"nofollow noopener\">un tr\u00e8s bon VST<\/a> pour les artistes qui aiment \u00ab\u00a0cr\u00e9er\u00a0\u00bb non seulement leur musique, mais aussi leurs propres sonorit\u00e9s.<\/p>\n<p>Tr\u00e8s puissant, donc, concernant la <a href=\"http:\/\/www.genesis.fr\/french\/act2pres.htm\" target=\"_blank\" rel=\"nofollow noopener\">cr\u00e9ation d&rsquo;environnement sonore<\/a>, cet outil pourrait bien \u00eatre utile pour composer une large palette d&rsquo;ambiances originales et tr\u00e8s personnelles. Entre le moteur de synth\u00e8se de STEAM (synth\u00e8se pure \u00e0 partir de modulations de LFOs) et la synth\u00e8se \u00e0 partir de sources acoustiques sampl\u00e9es, le num\u00e9rique offre \u00e0 nos petites oreilles le grain et  la chaleur qui faisait d\u00e9faut il y a quelques ann\u00e9es&#8230;<\/p>\n<p><\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/omnisphere.jpg\" alt=\"Omnisphere synth\u00e9 virtuel de Spectrasonics\" \/><br \/>\n<strong>Omnisphere Power Synth<\/strong> <\/p>\n<\/div>\n<p>En bonus, pour les amateurs de pads rythmiques, les arp\u00e9giateurs d&rsquo;OMNISPHERE se calent sur le tempo et surtout sur le groove  des boucles qui sortent de votre <a href=\"http:\/\/www.spectrasonics.net\/instruments\/stylusrmx.html\" target=\"_blank\" rel=\"nofollow noopener\">Stylus RMX<\/a> !<\/p>\n<p>J&rsquo;ai visionn\u00e9 sur \u00ab\u00a0Univers-Son TV\u00a0\u00bb une vid\u00e9o sympa tir\u00e9e d&rsquo;une s\u00e9rie de clips promotionnels de ce produit. Cet \u00e9pisode (le 5) parle de la mani\u00e8re dont sont construits certains patchs (par des plasticiens du son passionn\u00e9s) \u00e0 partir du moteur de synth\u00e8se STEAM ou encore \u00e0 partir de sources sonores psychoacoustiques retravaill\u00e9es. Pour voir la vid\u00e9o, cliquer  <a href=\"http:\/\/www.univers-sons.tv\/index.php\/2008\/05\/30\/102-spectrasonics-omnisphere-film-5\" target=\"_blank\" rel=\"nofollow noopener\">ici<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OMNISPHERE succ\u00e8de au c\u00e9l\u00e8bre synth\u00e9tiseur virtuel ATMOSPHERE. Progr\u00e8s technologiques obligent, il est encore plus consistant (40 Go de sons) et surtout beaucoup plus riche en terme de travail sur la synth\u00e8se (modulations, filtres, architectures, synth\u00e8se granulaire, les enveloppes al\u00e9atoires etc) : un tr\u00e8s bon VST pour les artistes qui aiment \u00ab\u00a0cr\u00e9er\u00a0\u00bb non seulement leur musique, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":213,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[],"class_list":["post-212","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique-assistee-par-ordinateur-mao"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=212"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/212\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/213"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}