{"id":217,"date":"2008-10-01T21:39:54","date_gmt":"2008-10-01T21:39:54","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/116-enchainement-simple-de-deux-accords-pour-apporter-un-effet-disney-a-vos-compositions\/"},"modified":"2021-06-08T12:54:52","modified_gmt":"2021-06-08T12:54:52","slug":"116-enchainement-simple-de-deux-accords-pour-apporter-un-effet-disney-a-vos-compositions","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/116-enchainement-simple-de-deux-accords-pour-apporter-un-effet-disney-a-vos-compositions\/","title":{"rendered":"Enchainement simple de deux accords pour apporter un effet optimiste (\u00e0 la Disney) \u00e0 vos compositions."},"content":{"rendered":"

\nL\u00e0, on est dans le b-a-ba de l’\u00e9criture harmonique<\/a>. C’est une astuce qui est souvent utilis\u00e9e, mais je la mets par \u00e9crit avec quelques extraits sonores (un exemple vaut souvent mieux qu’une longue explication…)<\/p>\n

Cet enchainement de deux accords qui permet d’amener une touche de merveilleux ou d’aventure est tout simple \u00e0 mettre en pratique. Il suffit de jouer un accord majeur (ex : Do majeur) puis d’enchainer sur l’accord majeur situ\u00e9 un ton au dessus (R\u00e9 majeur), tout en maintenant la note fondamentale<\/a> du premier accord (note do grave) :<\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/disney2.mp3<\/a><\/audio>\n

La fondamentale du premier accord peut \u00eatre aussi maintenue dans les aigus (accord renvers\u00e9) :<\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/disney3.mp3<\/a><\/audio>\n

Quelques exemples de cette courte progression harmonique dans la musique de film<\/a> :<\/strong><\/p>\n

– Dans les deux extraits ci-dessous, les instruments graves (Contrebasses et tuba) maintiennent la fondamentale tandis que les trombones enchainent les 2 accords (par exemple accord de DO vers accord de RE). Les trompettes, quand \u00e0 elles jouent le th\u00e8me principal (dont les notes appartiennent aux accords en question). Ici l’orchestration triomphante nous plonge dans une ambiance de film d’aventure : <\/p>\n

Jurassic Park<\/a> (John Williams) :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/disney_jurassic.mp3<\/a><\/audio>\n

Back To The Future<\/a> (Alan Silvestri) :<\/strong><\/p>\n

https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/disney_bttf.mp3<\/a><\/audio>
\n<\/p>\n

– Les 2 extraits ci-dessous sont orchestr\u00e9s de mani\u00e8re plus l\u00e9g\u00e8re et sautillante.
\nSans qu’il s’agisse pour autant d’un film de conte de f\u00e9e, la connotation y est tr\u00e8s optimiste :<\/p>\n

Le Renard et L’Enfant<\/a> (David Reyes) :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/disney_renard.mp3<\/a><\/audio>\n

Jumanji<\/a> (James Horner) :<\/strong><\/p>\n

https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/disney_jumanji.mp3<\/a><\/audio>
\n<\/p>\n

– Et ce dernier extrait, dans un registre plus doux et moins sautillant, mais toujours optimiste. Cette fois-ci la note fondamentale du premier accord n’est pas maintenue (elle suit la cadence) :<\/p>\n

Lune (Tanguy Follio) :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/disney_lune.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"

L\u00e0, on est dans le b-a-ba de l’\u00e9criture harmonique. C’est une astuce qui est souvent utilis\u00e9e, mais je la mets par \u00e9crit avec quelques extraits sonores (un exemple vaut souvent mieux qu’une longue explication…) Cet enchainement de deux accords qui permet d’amener une touche de merveilleux ou d’aventure est tout simple \u00e0 mettre en pratique. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-217","post","type-post","status-publish","format-standard","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=217"}],"version-history":[{"count":1,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/217\/revisions"}],"predecessor-version":[{"id":573,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/217\/revisions\/573"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}