{"id":242,"date":"2010-04-26T22:29:51","date_gmt":"2010-04-26T22:29:51","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/134-un-exemple-de-doublure-dans-les-mediums-cors-et-cordes-une-combinaison-orchestrale-que-j-aime-utiliser\/"},"modified":"2010-04-26T22:29:51","modified_gmt":"2010-04-26T22:29:51","slug":"134-un-exemple-de-doublure-dans-les-mediums-cors-et-cordes-une-combinaison-orchestrale-que-j-aime-utiliser","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/134-un-exemple-de-doublure-dans-les-mediums-cors-et-cordes-une-combinaison-orchestrale-que-j-aime-utiliser\/","title":{"rendered":"Un exemple de doublure dans les mediums. Cors et cordes : une combinaison orchestrale que j&rsquo;aime utiliser."},"content":{"rendered":"<p>\nJe trouve que les <a href=\"http:\/\/afcor.free.fr\/\" target=\"_blank\" rel=\"noopener nofollow\">cors fran\u00e7ais<\/a> se marient bien avec les <a href=\"http:\/\/www.octuordevioloncelles.com\/\" target=\"_blank\" rel=\"noopener nofollow\">violoncelles<\/a>. Pour moi, cette combinaison (en mezzo forte ou en forte) donne une sonorit\u00e9 \u00e0 la fois douce et puissante (loin de l&rsquo;aspect cuivr\u00e9 et brillant).<\/p>\n<p>Le grain des cordes que l&rsquo;on m\u00e9lange au son rond des cors fran\u00e7ais apporte un c\u00f4t\u00e9 moelleux, surtout s&rsquo;il s&rsquo;agit d&rsquo;une m\u00e9lodie continue (li\u00e9e). <\/p>\n<p>En outre, cela apporte une consistance et un effet panoramique (violoncelles \u00e0 droite, cors fran\u00e7ais un peu \u00e0 gauche) : je trouve que le son rempli l&rsquo;espace, ce qui donne encore plus de profondeur.<\/p>\n<p>Par exemple :<\/p>\n<p><strong>Atlantis<\/strong> (<a href=\"http:\/\/www.james-newton-howard.com\/\" target=\"_blank\" rel=\"noopener nofollow\">James Newton Howard<\/a>)<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-242-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/atlantis.mp3?_=1\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/atlantis.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/atlantis.mp3<\/a><\/audio><br \/>\n<\/p>\n<p>Le contrechant jou\u00e9 par les Cors fran\u00e7ais + violoncelles arrive au bout de quelques mesures.<\/p>\n<p><strong>Le diable et elle<\/strong> (<a href=\"http:\/\/www.compositeur-arrangeur.com\/\" target=\"_blank\" rel=\"noopener\">Tanguy Follio<\/a>)<\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-242-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/diable.mp3?_=2\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/diable.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/diable.mp3<\/a><\/audio><br \/>\n<br \/>\nLa m\u00e9lodie est d&rsquo;abord jou\u00e9e par les violoncelles. Puis viennent se greffer les cors fran\u00e7ais. <br \/>\nCors + Violoncelles jouent ensuite l&rsquo;accompagnement, tandis que la fl\u00fbte traversi\u00e8re reprend la m\u00e9lodie.<\/p>\n<p>Mon coll\u00e8gue <a href=\"http:\/\/film.tunes.org\/fr\/\" target=\"_blank\" rel=\"noopener nofollow\"><ins>Bernhard Elsner<\/ins><\/a> rappelle au passage que ces instruments (cors fran\u00e7ais et violoncelles) se m\u00e9langent aussi tr\u00e8s bien avec les altos et les bassons, \u00e0 l&rsquo;unisson ou \u00e0 l&rsquo;octave.<\/p>\n<div align=\"center\">\n<table style=\"text-align: left; width: 332px; height: 198px;\"\n border=\"0\" cellpadding=\"2\" cellspacing=\"2\"><\/p>\n<tbody>\n<tr>\n<td style=\"text-align: center;\"><img decoding=\"async\"\n style=\"width: 100px; height: 122px;\" alt=\"Cors fran&ccedil;ais\"\n src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/horn.jpg\"><\/td>\n<td style=\"text-align: center;\"><\/td>\n<td style=\"text-align: center;\"><img decoding=\"async\"\n style=\"width: 100px; height: 186px;\" alt=\"Violoncelle\"\n src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/cello.jpg\"><\/td>\n<td style=\"text-align: center;\"><\/td>\n<td style=\"text-align: center;\"><img decoding=\"async\"\n style=\"width: 100px; height: 67px;\" alt=\"Alto\"\n src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/viola.jpeg\"><\/td>\n<td style=\"text-align: center;\"><\/td>\n<td style=\"text-align: center;\"><img decoding=\"async\"\n style=\"width: 100px; height: 100px;\" alt=\"Basson\"\n src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/bassoon.jpg\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Je trouve que les cors fran\u00e7ais se marient bien avec les violoncelles. Pour moi, cette combinaison (en mezzo forte ou en forte) donne une sonorit\u00e9 \u00e0 la fois douce et puissante (loin de l&rsquo;aspect cuivr\u00e9 et brillant). Le grain des cordes que l&rsquo;on m\u00e9lange au son rond des cors fran\u00e7ais apporte un c\u00f4t\u00e9 moelleux, surtout [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-242","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=242"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/242\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/243"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=242"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=242"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}