{"id":249,"date":"2008-11-29T00:39:24","date_gmt":"2008-11-29T00:39:24","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/135-personnaliser-un-crescendo-collage-audio-dans-le-sequenceur\/"},"modified":"2008-11-29T00:39:24","modified_gmt":"2008-11-29T00:39:24","slug":"135-personnaliser-un-crescendo-collage-audio-dans-le-sequenceur","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/135-personnaliser-un-crescendo-collage-audio-dans-le-sequenceur\/","title":{"rendered":"Personnaliser un crescendo : collage audio dans le s\u00e9quenceur !"},"content":{"rendered":"

\nDans les banques de sons, les samples de crescendos ne sont pas forc\u00e9ment de la dur\u00e9e souhait\u00e9e. Il arrive souvent que le sample propos\u00e9 soit trop long. Dans ce cas, il suffit de d\u00e9caler la note midi vers la gauche de sorte que le crescendo se d\u00e9clenche en avance, puis gommer l’intro qui d\u00e9passe en lui affectant un niveau sonore nul (avec le contr\u00f4leur expression de la zone Edit). <\/p>\n

Le probl\u00e8me subsiste pour les samples de Sforzando<\/a>–Crescendo<\/a><\/strong> (accent suivi d’un rel\u00e2chement imm\u00e9diat, puis d’un crescendo). Cette fois-ci, on ne peut pas se permettre de d\u00e9caler vers la gauche la note qui d\u00e9clenche le sample, car l’accent serait lui aussi d\u00e9cal\u00e9. On peut le faire en utilisant plusieurs pistes MIDI, mais personnellement je pr\u00e9f\u00e8re utiliser la m\u00e9thode audio.<\/p>\n

Voici un exemple de Sforzando-Crescendo de cors fran\u00e7ais issu de la banque East-West Symphonic Orchestra Gold<\/a>. L’image ci-dessous repr\u00e9sente des piste AUDIO<\/strong> :<\/p>\n

– En jaune les staccatos de basses
\n– En vert le fameux Sforzando-Crescendo de cors fran\u00e7ais
\n– En bleu, un petit coup de cymbale qui me sert de rep\u00e8re<\/p>\n

Ecouter :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo1.mp3<\/a><\/audio>\n

\"Cubase\"<\/p>\n

Je souhaiterais que le crescendo final se termine sur le petit coup de cymbale.
\nMais le sample propos\u00e9 par ma banque de sons est trop long… zuuuut.<\/p>\n

\nDans un premier temps, je vais scinder le cor fran\u00e7ais<\/a> en 2 :<\/p>\n

\"Cubase\"<\/p>\n

<\/p>\n

Ensuite, je vais ramener le tron\u00e7on (crescendo) vers la gauche
\n(S’il le faut, j’applique un fondu encha\u00een\u00e9*<\/strong>)<\/p>\n

\"Cubase\"<\/p>\n

Le crescendo se termine maintenant \u00e0 la position souhait\u00e9e \ud83d\ude09<\/p>\n

Ecouter :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo2.mp3<\/a><\/audio>\n<\/div>\n

Note :<\/ins>
\nPour modifier la dur\u00e9e d’un \u00e9l\u00e9ment audio,
\nil existe la fonction \u00ab\u00a0changement de taille avec modification de la dur\u00e9e\u00a0\u00bb :
\n\"Cubase\"<\/a>
\nMais il y a parfois une perte de qualit\u00e9 sonore
\net une perte de r\u00e9alisme (notamment sur les crescendos).<\/p>\n

<\/p>\n

*<\/strong> Pour un chevauchement optimal : fondu de sortie sur le tron\u00e7on 1 et fondu d’entr\u00e9e sur le tron\u00e7on 2<\/em>. <\/p>\n","protected":false},"excerpt":{"rendered":"

Dans les banques de sons, les samples de crescendos ne sont pas forc\u00e9ment de la dur\u00e9e souhait\u00e9e. Il arrive souvent que le sample propos\u00e9 soit trop long. Dans ce cas, il suffit de d\u00e9caler la note midi vers la gauche de sorte que le crescendo se d\u00e9clenche en avance, puis gommer l’intro qui d\u00e9passe en […]<\/p>\n","protected":false},"author":2,"featured_media":250,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[],"class_list":["post-249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique-assistee-par-ordinateur-mao"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=249"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/249\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/250"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}