{"id":288,"date":"2009-03-19T16:31:20","date_gmt":"2009-03-19T16:31:20","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/155-le-sacre-du-printemps-stravinsky-interprete-les-samples-de-la-vienna-symphonic-library\/"},"modified":"2009-03-19T16:31:20","modified_gmt":"2009-03-19T16:31:20","slug":"155-le-sacre-du-printemps-stravinsky-interprete-les-samples-de-la-vienna-symphonic-library","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/155-le-sacre-du-printemps-stravinsky-interprete-les-samples-de-la-vienna-symphonic-library\/","title":{"rendered":"Le Sacre du Printemps (Stravinsky) interpr\u00e9t\u00e9 avec les samples de la Vienna Symphonic Library."},"content":{"rendered":"<p>\nProgramm\u00e9 et mix\u00e9 par Jay Bacal, \u00e0 partir de la <a href=\"http:\/\/vsl.co.at\/\" target=\"_blank\" rel=\"noopener nofollow\">VSL<\/a> (Vienna Symphonic Library), le c\u00e9l\u00e8bre ballet compos\u00e9 par <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Igor_Stravinski\" target=\"_blank\" rel=\"noopener nofollow\">Igor Stravinsky<\/a> sonne particuli\u00e8rement bien pour du virtuel. <\/p>\n<p>On peut \u00e9couter les 2 tableaux (et si l&rsquo;on veut, chaque sc\u00e8ne s\u00e9par\u00e9ment) en <a href=\"http:\/\/vsl.co.at\/en\/65\/71\/1590\/1591\/1242.vsl\" target=\"_blank\" rel=\"noopener nofollow\"><ins><strong>cliquant ici<\/strong><\/ins><\/a><\/p>\n<p>Un travail de longue haleine (6 mois) en ayant pris comme rep\u00e8re des enregistrements dirig\u00e9s par <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Leonard_Bernstein\" target=\"_blank\" rel=\"noopener nofollow\">Leonard Bernstein<\/a> et <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Seiji_Ozawa\" target=\"_blank\" rel=\"noopener nofollow\">Seiji Ozawa<\/a>.<\/p>\n<ul>\n<li>Entr\u00e9e de toutes les notes<\/li>\n<li>Calage du tempo (acc\u00e9l\u00e9rations, rubato etc..)<\/li>\n<li>Articulations expressions de chaque instrument (1 par 1)<\/li>\n<li>Affinement du tempo<\/li>\n<li>Doublure des cordes par des cordes solo (pour plus de r\u00e9alisme)<\/li>\n<li>Traitement audio (compression, \u00e9galisation, r\u00e9verbe) <\/li>\n<li>Mixage<\/li>\n<\/ul>\n<p>\nJe salue le m\u00e9rite de Jay Bacal pour ce travail de fourmi, car rendre des phras\u00e9s le plus r\u00e9alisme possible n&rsquo;est pas chose facile, surtout sur une telle dur\u00e9e. D&rsquo;autant plus que Le Sacre du Printemps a \u00e9t\u00e9 \u00e9crit pour un orchestre XXL, avec une instrumentation imposante :<\/p>\n<p>1 piccolo, 3 fl\u00fbtes, 1 fl\u00fbte alto, 4 hautbois, 1 cor anglais, 1 petite clarinette en r\u00e9 et en mib, 3 clarinettes en sib et en la,<br \/>\n1 clarinette basse sib, 4 bassons, 1 contrebasson, 8 cors, 1 petite trompette en r\u00e9, 4 trompettes en ut, 3 trombones, 2 tubas, 5 timbales (deux musiciens), grosse caisse, tam-tam, triangle, tambour de basque, guiro, 2 cymbales antiques, violons 1, violons 2, altos, violoncelles, contrebasses (nombreux divisi chez les cordes).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Programm\u00e9 et mix\u00e9 par Jay Bacal, \u00e0 partir de la VSL (Vienna Symphonic Library), le c\u00e9l\u00e8bre ballet compos\u00e9 par Igor Stravinsky sonne particuli\u00e8rement bien pour du virtuel. On peut \u00e9couter les 2 tableaux (et si l&rsquo;on veut, chaque sc\u00e8ne s\u00e9par\u00e9ment) en cliquant ici Un travail de longue haleine (6 mois) en ayant pris comme rep\u00e8re [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[],"class_list":["post-288","post","type-post","status-publish","format-standard","hentry","category-musique-assistee-par-ordinateur-mao"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=288"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/288\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}