{"id":309,"date":"2009-09-06T15:19:24","date_gmt":"2009-09-06T15:19:24","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/169-qy-700-yamaha-sequenceur-musical-sorti-en-1996\/"},"modified":"2009-09-06T15:19:24","modified_gmt":"2009-09-06T15:19:24","slug":"169-qy-700-yamaha-sequenceur-musical-sorti-en-1996","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/169-qy-700-yamaha-sequenceur-musical-sorti-en-1996\/","title":{"rendered":"QY700 Yamaha, s\u00e9quenceur musical sorti en 1996"},"content":{"rendered":"<p>\nLe QY700 est un s\u00e9quenceur \u00ab\u00a0machine\u00a0\u00bb qui poss\u00e8de 32 pistes MIDI et une banque de sons au <a href=\"http:\/\/www.francepianos.com\/midi.htm\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/francepianos.com\/midi.htm&#039;);\">format XG<\/a> d\u00e9velopp\u00e9e par Yamaha (dont on retrouve la signature dans les sons actuels appartenant \u00e0  la banque \u00ab\u00a0Halion One\u00a0\u00bb). Il poss\u00e8de entre autre 2 prises MIDI OUT et 2 prises MIDI IN.<\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/QY-700-petit.jpg\" alt=\"QY700\" \/><\/div>\n<p><\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/QY-700_ecran_petit.jpg\" alt=\"QY700\" \/><\/div>\n<p>A l&rsquo;\u00e9poque o\u00f9 je l&rsquo;ai achet\u00e9 (en 1998, autour de 6000 F soit dans les 950 \u20ac),  il me permettait d&rsquo;avoir presque tout sous la main : une workstation dot\u00e9e d&rsquo;un s\u00e9quenceur puissant et des sons MIDI int\u00e9ressants pour produire des maquettes. Plus tard, reli\u00e9 \u00e0 un clavier ma\u00eetre, un expander<br \/>\n<a href=\"http:\/\/fr.audiofanzine.com\/expandeur\/roland\/M-OC1-Orchestra\/avis\/\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/fr.audiofanzine.com\/expandeur\/roland\/M-OC1-Orchestra\/avis\/&#039;);\">Roland M-OC1 Orchestra<\/a> et un sampler <a href=\"http:\/\/fr.audiofanzine.com\/sampleur\/akai\/S2000\/avis\/\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/fr.audiofanzine.com\/sampleur\/akai\/S2000\/avis\/&#039;);\">S2000 AKAI<\/a>, j&rsquo;obtenais un r\u00e9alisme un peu plus soign\u00e9 (bien qu&rsquo;encore loin des<br \/>\nbanques de sons actuelles).<\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/QY-700_arriere_petit.jpg\" alt=\"QY700\" \/><\/div>\n<p>Aujourd&rsquo;hui, si les sons paraissent bien d\u00e9pass\u00e9s (surtout en terme d&rsquo;orchestral et d&rsquo;instruments<br \/>\nacoustiques), <strong>la partie s\u00e9quenceur du QY700 peut faire le bonheur des compositeurs<\/strong> se m\u00e9fiant des<br \/>\nordinateurs (pas de temps de chargement, de plantages, de mises \u00e0 jour, de pilotes, de ventilo &#8230;) ou<br \/>\nencore aux amoureux des machines avec les potentiom\u00e8tres \u00e0 port\u00e9e de main ou des touches adapt\u00e9es \u00e0 la<br \/>\nforme des doigts&#8230; <\/p>\n<p>Le QY700 se branche, on le met sous tension et il n&rsquo;y a plus qu&rsquo;\u00e0 enregistrer les notes. Cela peut \u00eatre<br \/>\nint\u00e9ressant pour ceux qui souhaitent poser rapidement une m\u00e9lodie ou un th\u00e8me \ud83d\ude42<br \/>\nSans aller jusqu&rsquo;\u00e0 la finesse de l&rsquo;\u00e9dition MIDI que l&rsquo;on obtient avec un Cubase ou un Logic, le<br \/>\ns\u00e9quenceur de Yamaha permet d&rsquo;enregistrer, d&rsquo;\u00e9diter, de quantifier, de copier coller, de placer des<br \/>\nmarqueurs etc&#8230; et ce de mani\u00e8re tr\u00e8s intuitive. <\/p>\n<p>En effet, durant les quelques ann\u00e9es d&rsquo;utilisation, j&rsquo;ai<br \/>\ntoujours trouv\u00e9 le QY700 ergonomique et bien pens\u00e9 (la touche JOB en particulier, pleine de riches id\u00e9es).<br \/>\nPour plus de d\u00e9tails, consultez 7 avis d&rsquo;internautes sur le site Audiofanzine <ins><a href=\"http:\/\/fr.audiofanzine.com\/groove-machine\/yamaha\/QY700\/avis\/\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/fr.audiofanzine.com\/groove-machine\/yamaha\/QY700\/avis\/&#039;);\">cliquer ici<\/a><\/ins><\/p>\n<p>Ci dessous, 2 maquettes r\u00e9alis\u00e9es exclusivement avec cet appareil (sonorit\u00e9s + s\u00e9quence du QY700), sans<br \/>\nexpander ni sampler. Cela fait plus de 10 ans (1998), et \u00e7a se voit tant sur la qualit\u00e9 des sons que<br \/>\nsur la qualit\u00e9 de la composition (je d\u00e9butais en \u00e9criture orchestrale, mais j&rsquo;avoue que j&rsquo;y prenais un malin plaisir). <\/p>\n<p><strong>Intro concert :<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-309-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/qy-piano.mp3?_=1\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/qy-piano.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/qy-piano.mp3<\/a><\/audio>\n<p><strong>Orchestral :<\/strong><\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-309-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/qy-orchestre.mp3?_=2\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/qy-orchestre.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/qy-orchestre.mp3<\/a><\/audio>\n<p><\/p>\n<p>Une machine \u00e0 cr\u00e9er de la musique qui m&rsquo;a \u00e9norm\u00e9ment servi  : certaines touches ont perdu leur aspect flambant neuf, c&rsquo;est s\u00fbr, mais l&rsquo;appareil est extr\u00eamement robuste (il faut y aller \u00e0 coup de marteau pour ab\u00eemer la b\u00eate !)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le QY700 est un s\u00e9quenceur \u00ab\u00a0machine\u00a0\u00bb qui poss\u00e8de 32 pistes MIDI et une banque de sons au format XG d\u00e9velopp\u00e9e par Yamaha (dont on retrouve la signature dans les sons actuels appartenant \u00e0 la banque \u00ab\u00a0Halion One\u00a0\u00bb). Il poss\u00e8de entre autre 2 prises MIDI OUT et 2 prises MIDI IN. A l&rsquo;\u00e9poque o\u00f9 je l&rsquo;ai [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":310,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[],"class_list":["post-309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique-assistee-par-ordinateur-mao"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=309"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/309\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/310"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}