{"id":323,"date":"2009-11-21T02:46:37","date_gmt":"2009-11-21T02:46:37","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/178-une-astuce-pour-changer-de-tonalite-sans-prendre-de-risque\/"},"modified":"2009-11-21T02:46:37","modified_gmt":"2009-11-21T02:46:37","slug":"178-une-astuce-pour-changer-de-tonalite-sans-prendre-de-risque","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/178-une-astuce-pour-changer-de-tonalite-sans-prendre-de-risque\/","title":{"rendered":"Une astuce pour changer de tonalit\u00e9 sans prendre de risque"},"content":{"rendered":"<p>\nUn petit truc tout b\u00eate que j&rsquo;utilise r\u00e9guli\u00e8rement  pour changer de tonalit\u00e9, c&rsquo;est de conserver une note du dernier accord de la tonalit\u00e9 1, et faire en sorte qu&rsquo;on retrouve cette note dans le premier accord de la tonalit\u00e9 2.<\/p>\n<p>Par exemple, je termine une phrase sur  un accord de SOL majeur (notes sol-si-<strong><ins>r\u00e9<\/ins><\/strong><ins><\/ins>), je peux embrayer sur un accord de SIB majeur (notes sib-<ins><strong>r\u00e9<\/strong><\/ins><strong><\/strong>-fa) pour d\u00e9marrer une autre phrase musicale. C&rsquo;est la note r\u00e9 qui est en commun.<\/p>\n<p>D&rsquo;ailleurs, je me suis livr\u00e9 \u00e0 un petit exercice : je joue du piano dans une tonalit\u00e9 de LA mineur et j&rsquo;arrive sur un accord de Sol majeur (qui est tr\u00e8s commun dans la tonalit\u00e9 de LA mineur). J&rsquo;ai donc les doigts qui enfoncent les notes sol-si-r\u00e9&#8230; <\/p>\n<p>Et l\u00e0 je me dis comme \u00e7a : \u00ab\u00a0tiens, aujourd&rsquo;hui je suis de bonne humeur, je tenterais bien un changement de tonalit\u00e9 (soyons fou !)\u00a0\u00bb. Je vais appliquer ma m\u00e9thode de transition qui consiste \u00e0 conserver une note.<\/p>\n<p>Donc, en partant de l&rsquo;accord de SOL majeur (notes sol-si-r\u00e9) :<\/p>\n<ul>\n<li>Je d\u00e9cide de conserver la note sol (fl\u00e8che bleue)<br \/>je peux jouer un accord de MIB majeur (notes mib-<strong><ins>sol<\/ins><\/strong>-sib)\n<p>Enchainement d&rsquo;accords : LAm MIm SOL (bis) &#8212;> MIb SOLm (bis)<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-323-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-sol.mp3?_=1\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-sol.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-sol.mp3<\/a><\/audio>\n<\/li>\n<p><\/p>\n<li>Je d\u00e9cide de conserver la note si (fl\u00e8che rouge)<br \/>je peux jouer un accord de SI mineur (notes <strong><ins>si<\/ins><\/strong>-r\u00e9-fa#)\n<p>Enchainement d&rsquo;accords : LAm MIm SOL (bis) &#8212;> SIm DO# (bis)<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-323-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-si.mp3?_=2\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-si.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-si.mp3<\/a><\/audio>\n<\/li>\n<p><\/p>\n<li>Je d\u00e9cide de conserver la note r\u00e9 (fl\u00e8che verte)<br \/>je peux jouer un accord de SIB majeur (notes sib-<strong><ins>r\u00e9<\/ins><\/strong>-fa)\n<p>Enchainement d&rsquo;accords : LAm MIm SOL (bis) &#8212;> SIb REm (bis)<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-323-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-re.mp3?_=3\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-re.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/transition-re.mp3<\/a><\/audio>\n<\/li>\n<\/ul>\n<p><\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/transition_chevauchement.jpg\" alt=\"Transition d'accords\" \/><\/div>\n<p>L&rsquo;astuce, c&rsquo;est que l&rsquo;oreille humaine va entendre dans le changement de tonalit\u00e9, une note commune : une empreinte auditive qui va permettre une transition tout en douceur.<br \/>\nIl existe bien s\u00fbr d&rsquo;autres mani\u00e8res de changer de tonalit\u00e9 (je montrerai quelques exemples dans un autre billet).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un petit truc tout b\u00eate que j&rsquo;utilise r\u00e9guli\u00e8rement pour changer de tonalit\u00e9, c&rsquo;est de conserver une note du dernier accord de la tonalit\u00e9 1, et faire en sorte qu&rsquo;on retrouve cette note dans le premier accord de la tonalit\u00e9 2. Par exemple, je termine une phrase sur un accord de SOL majeur (notes sol-si-r\u00e9), je [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":324,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-323","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=323"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/323\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/324"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}