{"id":415,"date":"2011-06-24T18:15:21","date_gmt":"2011-06-24T18:15:21","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/225-faire-un-crescendo-avec-des-percussions-tres-sombres\/"},"modified":"2011-06-24T18:15:21","modified_gmt":"2011-06-24T18:15:21","slug":"225-faire-un-crescendo-avec-des-percussions-tres-sombres","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/225-faire-un-crescendo-avec-des-percussions-tres-sombres\/","title":{"rendered":"Couleur orchestrale sombre et grave :  le crescendo avec des percussions"},"content":{"rendered":"<p>Les premi\u00e8res images de \u00ab\u00a0Pirate des cara\u00efbes 3\u00a0\u00bb sont tr\u00e8s dures, car elles d\u00e9voilent une s\u00e9rie d\u2019ex\u00e9cutions (dont un jeune gar\u00e7on). <\/p>\n<p>Il y a dans ce tableau tr\u00e8s sombre, un <strong>crescendo de percussions<\/strong> (caisse-claire, grosse caisse etc&#8230;) qui a attir\u00e9 mon attention. Il introduit le film avant de revenir de mani\u00e8re r\u00e9currente pendant la sc\u00e8ne d&rsquo;ex\u00e9cutions, y compris pendant la chanson \u00ab\u00a0Hoist The Colours\u00a0\u00bb entonn\u00e9e par le petit gar\u00e7on quelques secondes avant de mourir&#8230;<br \/>\nLi\u00e9es aux images, ces percussions sont redoutables. Elles annoncent une sombre fatalit\u00e9 et maintiennent la tension jusqu&rsquo;au dernier plan&#8230; <\/p>\n<p><\/p>\n<div align=\"center\">\nCi-dessous, on peut \u00e9couter \u00ab\u00a0Hoist The Colours\u00a0\u00bb dans lequel<br \/>\n on entend tr\u00e8s bien ce fameux crescendo de percussions :<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" width=\"240\" height=\"195\" src=\"http:\/\/www.youtube.com\/embed\/F5J9ATDOqJM\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>\n<\/div>\n<p><\/p>\n<p>Pour recr\u00e9er avec l&rsquo;ordinateur ce crescendo, j&rsquo;ai utilis\u00e9 des percussions de la banque de sons <a href=\"http:\/\/www.projectsam.com\/Products\/Boxed-Products\/1348\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/projectsam.com\/Products\/Boxed-Products\/1348&#039;);\">True Strike 1<\/a>      ainsi qu&rsquo;un son de type \u00ab\u00a0big boomer\u00a0\u00bb du synth\u00e9 virtuel <a href=\"http:\/\/www.spectrasonics.net\/instruments\/omnisphere.php\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/spectrasonics.net\/instruments\/omnisphere.php&#039;);\">Omnisphere.<\/a><\/p>\n<p><strong>1) <ins>Les caisses claires<\/ins> :<\/strong><\/p>\n<p>J&rsquo;ai d&rsquo;abord pos\u00e9 un sample de crescendo suivi par 3 flas (un fla est un coup de caisse claire avec les 2 baguettes en l\u00e9ger d\u00e9calage). Comme je trouvais le son de crescendo pas assez consistant, je l&rsquo;ai b\u00eatement doubl\u00e9 par un roulement de tambours :<\/p>\n<p><\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/crescendo_sd.jpg\" alt=\"s\u00e9quence midi crescendo caisse claire\" \/><\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-415-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre1.mp3?_=1\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre1.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre1.mp3<\/a><\/audio><br \/>\n\n<\/div>\n<p><strong>2) <ins>Ajout de la grosse caisse<\/ins> :<\/strong><\/p>\n<p>Un court crescendo de grosse caisse, suivi de 2 kicks qui permettent d&rsquo;appuyer les flas 1 et 3 de la caisse claire :<\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/crescendo_bd.jpg\" alt=\"s\u00e9quence midi crescendo caisse claire\" \/><\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-415-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre2.mp3?_=2\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre2.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre2.mp3<\/a><\/audio><br \/>\n\n<\/div>\n<p><strong>3) <ins>Ajout de la timbale<\/ins> :<\/strong><\/p>\n<p>Idem que la grosse caisse :<\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/crescendo_timb.jpg\" alt=\"s\u00e9quence midi crescendo caisse claire\" \/><\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-415-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre3.mp3?_=3\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre3.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre3.mp3<\/a><\/audio><br \/>\n\n<\/div>\n<p><strong>4) <ins>Ajout de 2 gros boums<\/ins> :<\/strong><\/p>\n<p>Tr\u00e8s cin\u00e9ma, ce \u00ab\u00a0big boomer\u00a0\u00bb trouv\u00e9 dans Omnisphere (ce type de sons existe dans d&rsquo;autres banques). Cela va appuyer compl\u00e8tement les 2 kicks et donner une couleur suppl\u00e9mentaire. Les Big Boomers sont tr\u00e8s r\u00e9pandus dans les musiques de films, par exemple en doublure de grosses caisses, toms ou tambours, ou bien seuls&#8230; c&rsquo;est vraiment efficace : <\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/crescendo_boom.jpg\" alt=\"s\u00e9quence midi crescendo caisse claire\" \/><\/p>\n<p><audio class=\"wp-audio-shortcode\" id=\"audio-415-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre.mp3?_=4\" \/><a href=\"https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre.mp3\" rel=\"nofollow noopener\" target=\"_blank\">https:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/crescendo_sombre.mp3<\/a><\/audio><br \/>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Les premi\u00e8res images de \u00ab\u00a0Pirate des cara\u00efbes 3\u00a0\u00bb sont tr\u00e8s dures, car elles d\u00e9voilent une s\u00e9rie d\u2019ex\u00e9cutions (dont un jeune gar\u00e7on). Il y a dans ce tableau tr\u00e8s sombre, un crescendo de percussions (caisse-claire, grosse caisse etc&#8230;) qui a attir\u00e9 mon attention. Il introduit le film avant de revenir de mani\u00e8re r\u00e9currente pendant la sc\u00e8ne [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":416,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=415"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/415\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/416"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}