{"id":432,"date":"2011-06-24T18:06:12","date_gmt":"2011-06-24T18:06:12","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/230-quelques-problemes-lies-a-l-enregistrement-live-via-un-clavier-midi-par-beryann-parker\/"},"modified":"2011-06-24T18:06:12","modified_gmt":"2011-06-24T18:06:12","slug":"230-quelques-problemes-lies-a-l-enregistrement-live-via-un-clavier-midi-par-beryann-parker","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/230-quelques-problemes-lies-a-l-enregistrement-live-via-un-clavier-midi-par-beryann-parker\/","title":{"rendered":"Quelques probl\u00e8mes li\u00e9s \u00e0 l&rsquo;enregistrement live via un clavier midi, par Beryann Parker"},"content":{"rendered":"<p>\n<font size=\"4\">Aujourd&rsquo;hui, je laisse la parole \u00e0 mon coll\u00e8gue <a href=\"http:\/\/qjp.free.fr\/\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/qjp.free.fr\/&#039;);\"><ins>Beryann Parker<\/ins><\/a> \ud83d\ude09<\/font><br \/>\n<em>Tanguy<\/em><\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Les 2 pistes que j&rsquo;ai compos\u00e9es et propos\u00e9es ici en streaming,  correspondent , selon moi, \u00e0 deux grands types de difficult\u00e9s rencontr\u00e9es dans l&rsquo;utilisation de banques de sons \u00e0 l&rsquo;int\u00e9rieur d&rsquo;un logiciel h\u00f4te: <\/p>\n<ul>\n<li>La dynamique<\/li>\n<li>L&rsquo;articulation (instrumentale: pizz, legato, sfz etc) <\/li>\n<\/ul>\n<p><\/p>\n<p>Il s&rsquo;agit de deux param\u00e8tres associ\u00e9s \u00e0 l&rsquo;environnement hardware qui leur donne vie: <strong>le controleur Midi<\/strong>.<\/p>\n<p><\/p>\n<p>Dans le cas du morceau <strong>\u00ab\u00a0sine nomine par augusta\u00a0\u00bb<\/strong> (ci-dessous), mon probl\u00e8me essentiel fut celui de la <strong>dynamique des voix<\/strong>. En effet, ce fugato fait s&rsquo;enchainer par tuilages successifs des voix de choeur sans avoir de vraie ma\u00eetrise sur les nuances de celles-ci. <\/p>\n<p>En effet, J&rsquo;ai utilis\u00e9 Live et un plug-in dans Reaktor \u00ab\u00a0Hallelujah\u00a0\u00bb que j&rsquo;aime particuli\u00e8rement avec un clavier CME U80 chinois de bonne facture, en widi (wifi version Midi) mais au toucher trop lourd pour permettre de restituer de fa\u00e7on subtile et cr\u00e9dible les piano, mezzo-forte ou forte que je souhaitais \u00e0 priori! Donc, mon clavier n&rsquo;\u00e9tait pas adapt\u00e9! j&rsquo;aurais d\u00fb, dans mon cas, utiliser mon \u00ab\u00a0bon vieux\u00a0\u00bb Edirol PCR-M80 , filaire lui pour le Midi; au toucher beaucoup plus \u00ab\u00a0mou\u00a0\u00bb mais \u00e0 la v\u00e9locit\u00e9 plus contr\u00f4lable.<\/p>\n<p>http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F12153192&#038;show_comments=true&#038;auto_play=false&#038;color=0d4ca5<br \/>\n   <span><a href=\"http:\/\/soundcloud.com\/beryann-parker\/sine-nomine-per-augusta\" rel=\"nofollow noopener\" target=\"_blank\">Sine nomine per augusta<\/a> by <a href=\"http:\/\/soundcloud.com\/beryann-parker\" rel=\"nofollow noopener\" target=\"_blank\">Beryann Parker<\/a><\/span><\/p>\n<p>A l&rsquo;inverse pour le morceau avec orchestre <strong>\u00ab\u00a0sads thoughts in the morning\u00a0\u00bb<\/strong> (ci-dessous), je l&rsquo;ai r\u00e9alis\u00e9 un matin \u00e0 \u00ab\u00a0l&rsquo;arrache\u00a0\u00bb comme on dit, et l\u00e0 j&rsquo;ai utilis\u00e9 Kontakt 3 dans Digital Performer 7 avec le sus-cit\u00e9 cit\u00e9 Edirol. <\/p>\n<p>Mais h\u00e9las, je n&rsquo;ai pas r\u00e9fl\u00e9chi dans ma pr\u00e9cipitation f\u00e9brile aux 4 octaves de ce clavier Midi qui ne permettent pas de visualiser le premier octave, en bas sur l&rsquo;\u00e9cran ( l&rsquo;inverse du CME !), \u00e0 partir duquel on acc\u00e8de aux diff\u00e9rentes touches <strong>d&rsquo;articulation<\/strong>,(des violons ici en l&rsquo; occurence). R\u00e9sultat, hormis une manipulation souris, toujours al\u00e9atoire dans la vitesse du flux audio, il ne me restait plus qu&rsquo;\u00e0 m&rsquo;en tenir \u00e0 UNE articulation (\u00ab\u00a0legato\u00a0\u00bb dans ce cas).<\/p>\n<p>http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F12000746&#038;show_comments=true&#038;auto_play=false&#038;color=0d4ca5<br \/>\n   <span><a href=\"http:\/\/soundcloud.com\/beryann-parker\/orchestral-sad-thoughts-in-the\" rel=\"nofollow noopener\" target=\"_blank\">Orchestral sad thoughts in the morning<\/a> by <a href=\"http:\/\/soundcloud.com\/beryann-parker\" rel=\"nofollow noopener\" target=\"_blank\">Beryann Parker<\/a><\/span><\/p>\n<p>Dans les deux cas, j&rsquo;ai utilis\u00e9 la p\u00e9dale de sustain mais, suivant le type d&rsquo;instruments, \u00e0 \u00ab\u00a0appuyer\u00a0\u00bb avec mod\u00e9ration!<\/p>\n<p>L&rsquo;\u00e9dition Midi \u00e0 l&rsquo;int\u00e9rieur du logiciel, souvent permet de rectifier, voire d&rsquo;am\u00e9liorer certains cas critiques mais la manipulation, simple et salvatrice dans certains cas, peut s&rsquo;av\u00e9rer \u00ab\u00a0casse-t\u00eate\u00a0\u00bb  (voire destructeurs) pour certains param\u00e8tres trop distants dans le temps par exemple.<\/p>\n<p>Pour r\u00e9sumer, la pr\u00e9cipitation est souvent mauvaise conseill\u00e8re, et aussi professionnel soit-on, au sein de son home-studio deux claviers Midi ne sont pas de trop en fonction de son projet!<\/p>\n<p><a href=\"http:\/\/soundcloud.com\/beryann-parker\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/soundcloud.com\/beryann-parker&#039;);\"><ins>Beryann<\/ins><\/a><\/p>\n<p>Le lien vers ma playlist \u00ab\u00a0orchestral\u00a0\u00bb sur Soundcloud<br \/>\n<a href=\"http:\/\/soundcloud.com\/beryann-parker\/sets\/orchestral\" target=\"_blank\" rel=\"nofollow noopener\" onclick=\"javascript: pageTracker._trackPageview (&#039;\/blogout\/soundcloud.com\/beryann-parker\/sets\/orchestral&#039;);\">http:\/\/soundcloud.com\/beryann-parker\/sets\/orchestral<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aujourd&rsquo;hui, je laisse la parole \u00e0 mon coll\u00e8gue Beryann Parker \ud83d\ude09 Tanguy &#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;- Les 2 pistes que j&rsquo;ai compos\u00e9es et propos\u00e9es ici en streaming, correspondent , selon moi, \u00e0 deux grands types de difficult\u00e9s rencontr\u00e9es dans l&rsquo;utilisation de banques de sons \u00e0 l&rsquo;int\u00e9rieur d&rsquo;un logiciel h\u00f4te: La dynamique L&rsquo;articulation (instrumentale: pizz, legato, sfz etc) Il [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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