{"id":53,"date":"2008-03-16T15:45:02","date_gmt":"2008-03-16T15:45:02","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/41-un-exemple-de-leitmotiv-qui-m-a-servi-d-element-de-base-pour-composer-une-musique-d-action\/"},"modified":"2021-06-08T12:37:03","modified_gmt":"2021-06-08T12:37:03","slug":"41-un-exemple-de-leitmotiv-qui-m-a-servi-d-element-de-base-pour-composer-une-musique-d-action","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/41-un-exemple-de-leitmotiv-qui-m-a-servi-d-element-de-base-pour-composer-une-musique-d-action\/","title":{"rendered":"Un exemple de leitmotiv qui m’a servi d’\u00e9l\u00e9ment de base pour composer une musique d’action."},"content":{"rendered":"

\nLeitmotiv<\/strong> (nom masculin)
\nMotif musical repris plusieurs fois dans une m\u00eame \u0153uvre. Propos qui revient sans cesse.<\/p>\n

Il faut souvent un point de d\u00e9part pour construire une musique : un mat\u00e9riau musical \u00e0 partir duquel on va d\u00e9velopper une th\u00e9matique. Cela peut \u00eatre une m\u00e9lodie, une rythmique, un enchainement d’accords…<\/p>\n

Dans le cas d’une musique d’action que j’ai faite il y a quelques mois, je me suis bas\u00e9 sur le leitmotiv<\/a> ci-dessous, unique point de d\u00e9part :<\/p>\n

\"Leitmotiv<\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/piano.mp3<\/a><\/audio>\n

\nJou\u00e9 comme \u00e7a, ce n’\u00e9tait pas franchement impressionnant…\n<\/div>\n

Alors j’ai fait jouer ce leitmotiv en tr\u00e9molo par des violoncelles<\/a>, afin d’apporter une base myst\u00e9rieuse et \u00ab\u00a0mouvante\u00a0\u00bb : pour cr\u00e9er une atmosph\u00e8re un peu stressante (vitesse, panique). En m\u00eame temps, j’ai essay\u00e9 de cr\u00e9er un effet de va et vient en jouant sur les nuances (p-f-p) comme pour imiter des bourrasques de temp\u00eate.<\/p>\n

Par moments, j’ai voulu doubler ces m\u00eames notes en staccato par des cuivres (essentiellement des cors fran\u00e7ais), pour appuyer le c\u00f4t\u00e9 \u00ab\u00a0action\u00a0\u00bb.<\/p>\n

\n<\/p>\n\n\n\n\n\n\n
\"fleche\"\n<\/td>\n<\/td>\n\"fleche\"\n<\/td>\n<\/tr>\n
Joué
\npar des violoncelles en trémolo :\n <\/td>\n		<\/td>\nJoué
\npar des cors en staccato :<\/td>\n<\/tr>\n
\"Notes\n <\/td>\n<\/td>\n\"Notes<\/td>\n<\/tr>\n
\n<\/td>\n\n
Mystérieux
\net fluide<\/td>\n		<\/td>\nMartial
\net haché<\/td>\n<\/tr>\n<\/tbody>\n

<\/del>
\n<\/table>\n<\/div>\n

Ensuite, j’ai plac\u00e9 des boucles de rythmes (Stormdrums, 150 bpm) et j’ai commenc\u00e9 \u00e0 chercher diverses m\u00e9lodies jou\u00e9es par des instruments aigus (violons fl\u00fbtes, xylophone, caisse-claire etc…). <\/p>\n

Ecouter un extrait :<\/p>\n

Bon, \u00e0 l’\u00e9coute, on s’aper\u00e7oit que le leitmotiv de base jou\u00e9 par les violoncelles n’apparait plus comme l’\u00e9l\u00e9ment principal. Pourtant il revient de mani\u00e8re r\u00e9currente et apporte ce petit c\u00f4t\u00e9 anxiog\u00e8ne<\/a> que j’aime bien…<\/p>\n

Voil\u00e0, juste pour dire qu’avec les m\u00eames notes, on peut cr\u00e9er des effets en jouant sur les nuances, l’orchestration (violoncelles, cors etc… ) et la notation (tr\u00e9molos, piqu\u00e9s etc…). Souvent, quand je cherche des notes au piano, j’essaie de penser \u00e0 la couleur orchestrale<\/ins><\/a> que je vais cr\u00e9er (de mani\u00e8re \u00e0 apporter le sentiment d\u00e9sir\u00e9 par le r\u00e9alisateur).<\/p>\n","protected":false},"excerpt":{"rendered":"

Leitmotiv (nom masculin) Motif musical repris plusieurs fois dans une m\u00eame \u0153uvre. Propos qui revient sans cesse. Il faut souvent un point de d\u00e9part pour construire une musique : un mat\u00e9riau musical \u00e0 partir duquel on va d\u00e9velopper une th\u00e9matique. Cela peut \u00eatre une m\u00e9lodie, une rythmique, un enchainement d’accords… Dans le cas d’une musique […]<\/p>\n","protected":false},"author":2,"featured_media":54,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[9],"tags":[],"class_list":["post-53","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-orchestration-notation"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/53","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=53"}],"version-history":[{"count":2,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/53\/revisions"}],"predecessor-version":[{"id":570,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/53\/revisions\/570"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/54"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=53"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=53"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=53"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}