{"id":68,"date":"2008-03-05T15:42:44","date_gmt":"2008-03-05T15:42:44","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/35-mes-premieres-musiques-assistees-par-ordinateur-soundtracker-sur-amiga-500-a-la-fin-des-annees-80\/"},"modified":"2008-03-05T15:42:44","modified_gmt":"2008-03-05T15:42:44","slug":"35-mes-premieres-musiques-assistees-par-ordinateur-soundtracker-sur-amiga-500-a-la-fin-des-annees-80","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/35-mes-premieres-musiques-assistees-par-ordinateur-soundtracker-sur-amiga-500-a-la-fin-des-annees-80\/","title":{"rendered":"Mes premi\u00e8res musiques assist\u00e9es par ordinateur. Soundtracker sur Amiga 500, \u00e0 la fin des ann\u00e9es 80…"},"content":{"rendered":"

S\u00e9quence : Nostalgie<\/strong> <\/p>\n

Je sais d’o\u00f9 viennent mes go\u00fbts pour la musique avec tout plein de petites croches (et de doubles croches…) : c’est \u00e0 cause de ma p\u00e9riode post-adolescente o\u00f9 je passais mon temps \u00e0 faire de la musique avec des \u00ab\u00a0trackers\u00a0\u00bb comme le fameux Soundtracker<\/strong> (sur Commodore Amiga<\/a> 500).<\/p>\n

J’ai commenc\u00e9 la MAO<\/a> (Musique Assist\u00e9e par Ordinateur) vers l’\u00e2ge de 16 ans avec le logiciel de musique Aegis Sonix.<\/strong>
\n4 canaux mono. Sons synth\u00e9tiques + samples en 8 bits. un vrai r\u00e9gal \u00e0 l’\u00e9poque !<\/p>\n

Mais c’est surtout en 1989 (toujours sur Amiga) que j’ai commenc\u00e9 \u00e0 appr\u00e9cier l’utilisation des samples gr\u00e2ce aux premiers \u00ab\u00a0trackers\u00a0\u00bb comme Ultimate Soundtracker<\/strong>, Noisetracker<\/strong> ou Protracker<\/strong> (4 voix mono), puis un peu plus tard avec Oktalyzer<\/strong> et Octamed<\/strong> (8 voix mono). Pour plus d’infos sur les trackers, cliquer ici<\/ins><\/a><\/p>\n

La plupart des samples mis \u00e0 dispositions \u00e9taient tr\u00e8s l\u00e9gers et donc tr\u00e8s courts, ce qui ne permettait pas au musicien de tenir de notes longues. C’est ainsi que la majorit\u00e9 de mes musiques de cette \u00e9poque sont fabriqu\u00e9es de la m\u00eame mani\u00e8re : beaucoup de rythmes binaires, avec des notes courtes en staccato ou pizzicato et tr\u00e8s peu de notes tenues.<\/p>\n

<\/p>\n

\"Protracker\"
Protracker<\/strong>\n<\/div>\n

<\/p>\n

\"Oktalyzer\"
Oktalyzer<\/strong>\n<\/div>\n

<\/p>\n

Voici quelques vieilleries (j’en ai plusieurs cassettes audio comme \u00e7a..).
\nA la moindre moquerie, je les enl\u00e8ve \ud83d\ude09<\/p>\n

Sur Aegis Sonix :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/aegisonix.mp3<\/a><\/audio>\n

\nSur Noisetracker :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/noisetracker.mp3<\/a><\/audio>\n

\nSur Protracker :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/protracker.mp3<\/a><\/audio>\n

\nSur Oktalyzer :<\/strong><\/p>\nhttps:\/\/www.latroika.com\/mp3\/tanguy-follio\/blog\/oktalyzer.mp3<\/a><\/audio><\/div>\n

Bonus :<\/strong><\/p>\n

\"Tanguy\nMa trombine en 1990 (\u00e0 18 ans)\n<\/div>\n

Quand j’y repense, je me suis quand m\u00eame bien accapar\u00e9 l’ordinateur familial (parmi 5 enfants) pour exp\u00e9rimenter mes premiers \u00ab\u00a0chef d’\u0153uvres\u00a0\u00bb. Mes fr\u00e8res et s\u0153urs ont d\u00fb terriblement souffrir avec ma musique (d\u00e9j\u00e0, \u00e0 l’\u00e9poque…)<\/p>\n","protected":false},"excerpt":{"rendered":"

S\u00e9quence : Nostalgie Je sais d’o\u00f9 viennent mes go\u00fbts pour la musique avec tout plein de petites croches (et de doubles croches…) : c’est \u00e0 cause de ma p\u00e9riode post-adolescente o\u00f9 je passais mon temps \u00e0 faire de la musique avec des \u00ab\u00a0trackers\u00a0\u00bb comme le fameux Soundtracker (sur Commodore Amiga 500). J’ai commenc\u00e9 la MAO […]<\/p>\n","protected":false},"author":2,"featured_media":69,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"class_list":["post-68","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mes-travaux-mes-projets"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/68","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=68"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/68\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/69"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=68"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=68"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=68"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}