{"id":87,"date":"2008-03-19T08:49:18","date_gmt":"2008-03-19T08:49:18","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/46-preparateur-de-partitions-score-preparator-un-metier-lie-a-la-musique-de-film\/"},"modified":"2008-03-19T08:49:18","modified_gmt":"2008-03-19T08:49:18","slug":"46-preparateur-de-partitions-score-preparator-un-metier-lie-a-la-musique-de-film","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/46-preparateur-de-partitions-score-preparator-un-metier-lie-a-la-musique-de-film\/","title":{"rendered":"Pr\u00e9parateur de partitions (score preparator), un m\u00e9tier li\u00e9 \u00e0 la musique de film."},"content":{"rendered":"<p>\nLe <strong>pr\u00e9parateur de partitions<\/strong> (score preparator), quand il existe, intervient avant <a href=\"https:\/\/www.compositeur-arrangeur.com\/blog\/4-l-orchestrateur-un-metier-lie-a-la-musique-de-film\"><ins>l&rsquo;orchestrateur<\/ins>.<\/a> Il facilite grandement la t\u00e2che du compositeur en travaillant \u00e0 partir d&rsquo;une session (<a href=\"http:\/\/clborne.club.fr\/acloga.html\" target=\"_blank\" rel=\"noopener nofollow\">Cubase, Digital performer etc.<\/a>) permettant \u00e0 l&rsquo;orchestrateur de disposer d&rsquo;une partition \u00ab\u00a0propre\u00a0\u00bb pour travailler. Le pr\u00e9parateur de partitions collabore donc essentiellement avec des compositeurs qui utilisent <a href=\"http:\/\/mao.audiofanzine.com\/\" target=\"_blank\" rel=\"noopener nofollow\">l&rsquo;informatique musicale<\/a>. <\/p>\n<p>Lorsqu&rsquo;un compositeur soumet une belle maquette \u00e0 un r\u00e9alisateur, le s\u00e9quenceur, lui, pr\u00e9sente une partition MIDI d&rsquo;une clart\u00e9 plus ou moins douteuse :<\/p>\n<ul>\n<li>les notes ne sont pas forc\u00e9ment quantifi\u00e9es<\/li>\n<li>Il y a des keyswitch qui trainent <\/li>\n<li>Les dur\u00e9es des notes ne respectent pas forc\u00e9ment la grille de division rythmique<\/li>\n<li>Une m\u00eame section de cuivres (par exemple) peut-\u00eatre utilis\u00e9e sur une seule piste midi<\/li>\n<li>Le compositeur peut utiliser plusieurs pistes midi pour un seul phras\u00e9 etc&#8230;<\/li>\n<\/ul>\n<p>Avez-vous d\u00e9j\u00e0 eu l&rsquo;occasion d&rsquo;exporter votre <a href=\"http:\/\/www.marclemo.com\/midi\/mode_emploi\/midi_ecouter.htm\" target=\"_blank\" rel=\"noopener nofollow\">s\u00e9quence MIDI<\/a> dans un <a href=\"http:\/\/www.tgtools.de\/forum_fr\/\" target=\"_blank\" rel=\"noopener nofollow\">\u00e9diteur de partition<\/a> ?<br \/> On rencontre parfois bien des surprises.<\/p>\n<div align=\"center\"><a href=\"http:\/\/www.marclemo.com\/midi\/mode_emploi\/midi_part.htm\" target=\"_blank\" rel=\"noopener nofollow\">Prenons le cas d&rsquo;une s\u00e9quence MIDI<\/a> (avec violons 1 et violons 2 dans la m\u00eame piste)<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/score_preparator1.jpg\" alt=\"s\u00e9quence midi sur Cubase\" \/><\/p>\n<p>En exportant ces notes dans une \u00e9diteur de <a href=\"http:\/\/editeur-partition.audiofanzine.com\/produits\/avis\/\" target=\"_blank\" rel=\"noopener nofollow\">partition<\/a>, cela donnera probablement ceci :<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/score_preparator2.jpg\" alt=\"notes dans un \u00e9diteur de partition\" \/><\/p>\n<p>D\u00e9brouilles toi avec \u00e7a, coco&#8230;.\n<\/p><\/div>\n<p>Le compositeur va donc confier sa session (<a href=\"http:\/\/www.mamosa.org\/jenfi.home\/home.html?debuter\/sequenceurs.html&#038;debuter&#038;http%3A\/\/www.google.fr\/search%3Fhl%3Dfr%26q%3Dliste+des+s%25C3%25A9quenceurs%26btnG%3DRecherche+Google%26meta%3D\" target=\"_blank\" rel=\"noopener nofollow\">Cubase, Logic etc&#8230;<\/a>) avec la maquette audio en guise de rep\u00e8re, au pr\u00e9parateur de partitions. Ce dernier effectuera un nettoyage complet et carr\u00e9 de la s\u00e9quence midi (quantifications, \u00e9clatement des parties, suppression des keyswitch etc&#8230;) et fera le transfert dans l&rsquo;\u00e9diteur de partition. Selon les cas, il pourra apporter un premier travail de notation orchestrale comme la mise en place de certains signes, des nuances, <a href=\"https:\/\/www.compositeur-arrangeur.com\/blog\/30-trilles-definition-et-exemple-de-notation-dans-une-partition-pour-orchestre\">des trilles et tr\u00e9molos<\/a> etc&#8230; un gain de temps consid\u00e9rable qui permettra au compositeur de se consacrer \u00e0 sa musique.<\/p>\n<p><\/p>\n<div align=\"center\"><img decoding=\"async\" src=\"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-content\/uploads\/2021\/06\/score_preparator3.jpg\" alt=\"notes dans Finale\" \/><\/p>\n<p>Apr\u00e8s le passage du pr\u00e9parateur de partitions, on y voit d\u00e9j\u00e0 plus clair&#8230;\n<\/p><\/div>\n<p><ins>Note<\/ins> : tout comme l&rsquo;orchestrateur, le pr\u00e9parateur de partitions intervient sur le conducteur (pas les parties s\u00e9par\u00e9es dont la gestion est confi\u00e9e au copiste).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le pr\u00e9parateur de partitions (score preparator), quand il existe, intervient avant l&rsquo;orchestrateur. Il facilite grandement la t\u00e2che du compositeur en travaillant \u00e0 partir d&rsquo;une session (Cubase, Digital performer etc.) permettant \u00e0 l&rsquo;orchestrateur de disposer d&rsquo;une partition \u00ab\u00a0propre\u00a0\u00bb pour travailler. Le pr\u00e9parateur de partitions collabore donc essentiellement avec des compositeurs qui utilisent l&rsquo;informatique musicale. Lorsqu&rsquo;un compositeur [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":88,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[],"class_list":["post-87","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-les-professions-liees-a-la-musique-de-film"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/87","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=87"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/87\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media\/88"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=87"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=87"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=87"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}