{"id":92,"date":"2008-03-23T13:48:02","date_gmt":"2008-03-23T13:48:02","guid":{"rendered":"https:\/\/www.compositeur-arrangeur.com\/blog\/48-melodyne-un-outil-qui-permet-d-isoler-et-de-modifier-des-elements-audio-dans-un-mix\/"},"modified":"2008-03-23T13:48:02","modified_gmt":"2008-03-23T13:48:02","slug":"48-melodyne-un-outil-qui-permet-d-isoler-et-de-modifier-des-elements-audio-dans-un-mix","status":"publish","type":"post","link":"https:\/\/www.compositeur-arrangeur.com\/blog\/48-melodyne-un-outil-qui-permet-d-isoler-et-de-modifier-des-elements-audio-dans-un-mix\/","title":{"rendered":"Melodyne, un outil qui permet d’isoler et de modifier des \u00e9lements audio, dans un mix…"},"content":{"rendered":"

\nAvec cette avanc\u00e9e technologique, les ing\u00e9nieurs repoussent les limites de l’\u00e9dition audio (analyse polyphonique d’un signal !).<\/p>\n

<\/div>\n

Melodyne Studio de la marque Celemony<\/a> offre des possibilit\u00e9s tr\u00e8s int\u00e9ressantes : outre les fonctions tr\u00e8s pr\u00e9cises de correction d’amplitude et de hauteur, il permet de cr\u00e9er de nouvelles rythmiques et de nouveaux accords \u00e0 partir d’une phrase de guitare de d\u00e9part (ou de batterie, de piano etc….) et tout \u00e7a sur un mat\u00e9riau audio ! On peut donc \u00ab\u00a0cr\u00e9er\u00a0\u00bb quelque chose de nouveau avec cet outil.<\/p>\n

Par exemple, en th\u00e9orie, il serait possible (et l\u00e0 j’emploie le conditionnel) d’isoler chaque note d’un morceau jou\u00e9 au piano (pris dans un CD du commerce) et de modifier la m\u00e9lodie, l’harmonie et la rythmique de ce morceau… auquel on pourrait ajouter d’autres instruments (provenant de nos banques de sons ou m\u00eame d’autres CD , pourquoi pas…). <\/p>\n

L’int\u00e9r\u00eat, je le vois dans le fait de faire moins appel au MIDI<\/a>, notamment l’utilisation des samples<\/a> (qui bien qu’issus d’instruments r\u00e9els, ne permettent pas de retranscrire le jeu de l’instrumentiste).
\nAvec Melodyne<\/a>, on travaillerait directement \u00e0 partir de phras\u00e9s modulables \u00e0 souhait ce qui permettrait de conserver d’une part le \u00ab\u00a0gros son\u00a0\u00bb d’origine, et d’autre part le jeu instrumental (respirations, attaques, portamentos, liaisons, rel\u00e2chements, vibration etc…) sans oublier l’\u00e9motion de l’instrumentiste capt\u00e9e lors de la prise de son, d’o\u00f9 une sensation de r\u00e9alisme.<\/p>\n

Comme beaucoup de musiciens qui n’ont pas encore essay\u00e9 la b\u00eate, je me pose des questions concernant l’efficacit\u00e9 du logiciel<\/a> sur les phras\u00e9s tr\u00e8s riches harmoniquement et m\u00e9lodieusement (BO d’Harry Potter par exemple) ou tr\u00e8s sales (M\u00e9tal, grunge etc…). Idem pour les musiques qui ont beaucoup de r\u00e9verbe.<\/p>\n

Mais ce qui est s\u00fbr, c’est que Melodyne semble \u00eatre un tr\u00e8s bon outil pour ceux qui enregistrent d\u00e9j\u00e0 avec des vrais instruments<\/a> et qui ont besoin de retravailler les phras\u00e9s (ou d’en cr\u00e9er d’autres) \u00e0 partir de leur propres prises.<\/p>\n

Enfin, sachez que Celemony propose des banques de sons<\/a> (sous forme de phrases instrumentales, riffs, solo…). Il y a tout un choix d’instruments, pour le moment issus du registre pop rock jazz etc… : Horn section, electric bass, guitar, saxophone, voice.<\/p>\n

A quand les motifs de violons ? \ud83d\ude09<\/p>\n","protected":false},"excerpt":{"rendered":"

Avec cette avanc\u00e9e technologique, les ing\u00e9nieurs repoussent les limites de l’\u00e9dition audio (analyse polyphonique d’un signal !). Melodyne Studio de la marque Celemony offre des possibilit\u00e9s tr\u00e8s int\u00e9ressantes : outre les fonctions tr\u00e8s pr\u00e9cises de correction d’amplitude et de hauteur, il permet de cr\u00e9er de nouvelles rythmiques et de nouveaux accords \u00e0 partir d’une phrase […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[10],"tags":[],"class_list":["post-92","post","type-post","status-publish","format-standard","hentry","category-musique-assistee-par-ordinateur-mao"],"_links":{"self":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/comments?post=92"}],"version-history":[{"count":0,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/posts\/92\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/media?parent=92"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/categories?post=92"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.compositeur-arrangeur.com\/blog\/wp-json\/wp\/v2\/tags?post=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}